Friday, March 14, 2008

The Corner House - Draft 1

The Corner House - All rights reserved © Martha Binford

This is a little vignette I wrote that I want to expand into a real story. I hope to get comments from others to help me improve it. I will post these as comments for this draft. Later drafts will follow.

(This is fiction; any resemblance to persons real or fictional is purely coincidental.)
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It's the sweet house on a corner lot owned by an old woman who has lived there since she was 19. Hers is the big house with the sun-room and the hand lettered poster board signs. One sign on the gate says "No strangers allowed" and the other on the adobe garage says "Leave my land alone".

She lives on the corner where cars make the turn to reach the new commuter train station. The traffic has quadrupled, even from when there were two crack houses down the street. Every weekday from about 5:30 am until about 7:30 at night the cars stream past her home to the train station. Every day the commuters rush into the new Railroad Cafe, freshly stuccoed and serving cappuccino and pastries. The man that owns the cafe wants to buy more houses in the neighborhood, to clean it up. He talks about creating a good clean neighborhood with morals. This doesn't impress her; it seems like robbery to charge over a dollar for a cup of coffee.

The train yard has never been clean, and the neighborhood has never been quiet. There were always the trains... the rhythmic "bangity bang" of the trains on the tracks, the train whistles, and the "bang clang" of the train cars coupling. Her husband worked in the railyard until he died. Most days he came home black with grease and petrolium. She rubbed lotion on his giant callused and cracked hands every night. They never came clean but she loved his touch. Her children were conceived to the sounds of the trains coupling. The trains meant a home for her family and provided a rhythm and stability to her life. Even the long night after he passed, she lay in bed comforted by the trains, listening, almost hearing him sleeping next to her.

Her children grew up in the neighborhood, but like many who spent their childhood in Benson they moved away at the first opportunity. Those that stayed never made much of their lives but they felt solace in the neighborhood and never left. The old woman knows most of the drug dealers from when they were children. They were pretty good kids too, not like you might imagine. They played ball in the streets with her boys. They never found work but found drugs instead.

They faded further and more distant while never leaving, sharing what was once their family homes with other addict friends. She watched houses fall apart, and become more filthy. The black trash bags multiplied in their backyards, growing brittle and spilling their contents in the wind. On walks she would sometimes notice hypodermic needles under bushes, and she knew times had changed. It was the sounds of the trains cleansed her.

The noise of boom cars and people arguing about drug deals or women replaced the sounds of children. She sometimes heard the "bang" of guns, as violence of all kinds increased among her neighbors. Occasionally there were police sirens but mostly the neighborhood was left alone to its internal trauma. The old lady minded her business and expected others to mind their business too. For the most part, life was good.

There was only one time she was afraid and called the police. Only once, to save the life of a woman being beaten in the street. The sounds of her screams woke her up, mixing with the train's "bangity bang" until they gave rise to something half-human and spine-chilling. Looking out her window into the darkness she could not see what was happening, but she could tell by the screams that the woman would die. The police arrived so quickly that she wondered if others had called before her. She watched and listened from her window as the police arrived, and then the ambulance. She believed they saved the woman's life, but she never knew for sure.

Now, strangers keep banging on her door telling her to sell. They don't ask, they tell. They know so little about her and her life that they insult her. They tell her she must be so tired of the the trains and the crime, and instead ready for peace and quiet. They tell her she will be "rich for life" and that she doesn't need "all that yard".

She watches from her window as the last of her neighbors leave. As soon as their houses sell, the work crews descend to dismantle the homes. The new townhomes and houses are too expensive for locals to purchase, and are sold to newcomers who commute on the new light rail train to the city. They ride the train, buy three dollar lattes, and know nothing of her neighborhood or her town.

So many want her house now. They don't know she will never sell. Now the sounds of cars rushing to the station, and the "bang bang" of hammers on roofs mix with the train whistles and "bangity bang" of the train on the track. The trains still comfort and purify her while the newcomers seem to busy to notice the magic.

3 comments:

la otra vida 5 said...

My Mom was a creative writing teacher at Oberlin College for awhile. She says this story includes some very common problems that new writers have. I am encouraging her to post her suggestions to this site so we can all learn something. Come on Mom!

la otra vida 5 said...

Email I set to my Mom, with more description, to see if I was on track.
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Hi Ma,

I started working on the corner house again, trying to expand it. I am including a couple of paragraphs to find out if I am on the right track. Is it kinda like filling in the blanks? Also, I am questioning now about when to start the story. Maybe it should before the drama with the Dept of Transportation people starting construction so I can capture how peaceful she feels before. Or maybe it should be linear, starting when she and her husband come to New Mexico. I don't know. If you have the energy or time, let me know what you think. Just starting with more description seems inadequate. Doesn't there need to be some hint of the conflict or something to keep the readers attention?

Maybe I shouldn't start from the beginning.

Love you!
Martha
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Louise looked out her sheer curtains at the long line of traffic in front of her home. She thought thicker curtains were needed but knew that wouldn't help with the engine acceleration and smell of exhaust drifting past her. She closed the window despite the heat. Twice a day the cars backed up, stopping at the corner before making the left turn out of her neighborhood. They were commuting to jobs in Albuquerque on the new light rail train. They were relative newcomers to the small town of Benson.

Louise Walker took a few steps into her livingroom and stopped to survey her surroundings. It was a comfortable room, clean and well worn. The rug was worn almost bare in spots but it's varied textures and pale patterns were still beautiful. She marveled at how fortunate she was. She loved her house, and it's treasured contents and sweet smells wrapped her in deep contentment. Her's was the big house on the corner with a gray picket fence. It had three bedrooms and a sun-room shaded by two large cottonwood trees. Even in the worst heat of the summer, it stayed cool. She never owned a swamp cooler and was able to keep cool with the cross breezes between her open windows.

People still call New Mexico the Land of Enchantment, and it only took her one month as a newcomer before she understood why. New Mexico was a beautiful and magical place. The old woman had lived there since she was nineteen when she and her husband came to New Mexico from Ohio...

la otra vida 5 said...

Ma responded...
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I would like to offer my comments to you, and if there is anything you think would be useful to others maybe you would want to copy that into your blog as a comment.

I have read the new work on The Corner House (great title, by the way). I like what you've done as a beginning to the piece--the description of the interior of the house and her response to it. I would offer certain suggestions for that part, but I think we're dealing with broader questions at present.

Nothing has happened yet in this story. No one has phoned nor knocked on the door. There have been no problems with her appliances, etc. and no events in the neighborhood. There has been no conflict to resolve, no other characters to interact with her to create a "story". No "this happened" and then "that happened" and the character hasn't moved through the piece and showed herself to us or as learning something about herself and /or her home while responding to those happenings in the space of the time you will have allowed the story to encompass. (What a sentence!!)

I would not try to include her earlier life with her husband in this piece. He is quite effective as he is: husband, wage earner in the trainyard, maybe the occasional quote from him or reference to something they felt about life etc. For the purposes of the story, he is just part of the tapestry of her past.

For me, the introduction of the new train offers the machine which might move the piece along. That shining, brand-new machine with its middleclass riders and their need for parking and cappucino offer a strong contrast as well as a rude intrusion into this rather dilapidated but totally familiar (even loved?) place that is her home,

I guess the drugs that have invaded her neighborhood and laid waste to it and to the families there offer another face to the changes that are about to overtake her. Does she wonder, "What is to become of me and my house?" That may be something the reader will wonder, even if she does not. Maybe you won't want to introduce that pathos into the piece. Sp far, my sense of her is of bravery, even though the reader she may conclude that she will be overtaken eventually.

I like your description of the trashed neighborhood, the dusty, crackling black plastic garbage bags. You are good with that kind of graphic detail that calls up the picture so well.

The reader is always bringing something to the story. The reader is not a tabula rasa, but incorporates the story into his or her own notions and experiences.

For example, this piece makes me remember Mammy, when she was living over at the old place by herself==no running water, no electricity, holes in the back porch flooring. Mother worried so about her., We would come to visit on Sunday, and Mammy would follow us out to the car at dusk when we got ready to leave. Mother said it was because she was lonely that she held on to the car door and kept talking after Daddy had started the engine. But she wouldn't leave that old house that sat in the middle of her untended acres.

I would say you should let the story percolate in your head. By the way, what does she look like? We have a good description of her living room. Does she, or did she have a pet? She must watch her pennies, I feel sure. Is there maybe one neighbor that is a friend? One that uses and sells drugs, but used to play with her son? And what is his name, what does he look like. Does she have some kind of encounters with him... ?

By the way, I see nothing wrong with what you have so far. It just needs to open up and grow. I worry that I may have said too much and given too many lame examples of possible changes. Just take what you can use and forget the rest. --love, jomama